This
is the newsletter from C.A. SEYDEL SÖHNE that keeps you
informed about all the latest harmonica happenings.
Today
we give you a detailed overview of all of our chromatic harmonicas
with stainless steel reeds.
SEYDEL's best chromatic harmonicas: The ingenious SYMPHONY series
SYMPHONY
48 Chromatic:
Discover
the newly developed springless slider system: Two repelling
magnets serve for an extra smooth, low friction, fast and accurate
slider action. For the first time we implemented polished stainless
steel reeds - these are more durable plus they create a new
sound experience.
Would
you like a little more? Then check out the first 16-hole chromatic
harmonica with 64 stainless steel reeds - four octaves of pur musicality!
The SYMPHONY 64 Grand Chromatic is a professional chromatic
harmonica with uniquely-inspired technical developments that sets
new standards in terms of sound, airtightness, playability, and
reliability.
The
SYMPHONY 64 Grand Chromatic comes in two comb-variants: ALU
or ACRYL.
Best
protection: All SYMPHONY instruments are shipped in a versatile
and stable carrying case made of durable polymer hard shell. The
case of the SYMPHONY 64 can even be heated up electrically
to playing temperature!
SEYDELs
SAXONY Chromatic - a true classic already
The
SAXONY from SEYDEL - launched in 2009 - was the first
serial produced chromatic harmonica equipped with stainless
steel reeds.
Since
then many satisfied customers confirm the unique sound and
the high reliability of this professional chromatic harmonica!
The
wonderful DE LUXE STEEL is equipped with SEYDEL's
unique stainless steel reeds. It is available in many
different keys, namely in: LE, LF, G, A, Bb, D, C
and in Orchestra Tuning (Key of C).
The
halvemoon-shaped silvered mouthpiece was designed
from scratch and offers perfect anti-friction properties.
All
of our 12-hole models are available in the so-called Orchestra
tuning in C. Orchestra Tuning is a variant very similar
to the normal solo tuning. The special feature is that
the tone sequence starts with the G below the C4 thus
"extending" the lower register: